Being a record of the creative outbursts of one Erin Woods: poet, dreamer, and initiate of children's publishing.
Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts

Friday, July 13, 2012

Nanny the Crook

Oof! A whole week slipped by and I didn't find the time to post the perfectly good, useful, little tutorial I had half ready to go. Well, I'll have to post it next week. It's a good thing pictures don't expire.

And it's a good thing poem posts can be written on the subway, when I can't do much else anyway!

This one came out of a slip of the tongue when my boss meant to say "cranny and nook" and made it a spoonerism by mistake. I liked the sound.

Nanny the Crook
Nanny the Crook, Nanny the Crook,
The canniest, granny-est thief in the book,
Stealing from every cranny and nook
Is Nanny the Crook, Nanny the Crook.

Crocheting doilies for things that she took,
More than a petticoat thief with a hook,
Creaky and sneaky and running amook
That Nanny the Crook! Nanny the Crook!

You Might Also Enjoy
Lay and Lie: A Poem for Grammar Purists and Confused Students of English
Playing Pretend
Amos Obadaiah: The Tale of a Cranky, Old Dragon

Friday, June 8, 2012

Grammar Purist Poetry

I promise the craft posts will resume soon. I have been creating... just not taking pictures. I'll work on that.

I wrote today's poem for my own sake because I know the difference between "lay" and "lie" (Mom told me when I was little that of course the dog wouldn't "lay down" for me—I was saying it wrong and he was trained the right way), but like just about everyone else, I make mistakes in my everyday speech.

Lay and Lie
I lie awake in bed at night
And think, 'Why can't you get it right?'
I lie in bed, you lie around,
My dog is lying on the ground—
But lay a fire when it snows,
Lay an egg and lay out clothes.
Lay a baby on its cot,
Lay down any thing you've got.
Lie and Lay and Lay and Lie.
Don't make grammar purists cry.

You might also enjoy
Harry Potter meets Hotel California
Gratuitous: Redundant and the English language
The Story Man

Friday, June 1, 2012

Writing Happiness

I'm trying to write down happiness.
Sometimes it's like a bumblebee
Inside my throat and it can't get out
Unless I throw my head way back
And laugh.
Sometimes it's a flower in my chest
That pushes—hard—against my ribs to bloom
And crowds its petals up against my heart.
Sometimes it's a running in my legs
And all I can do is try to keep up,
Out of breath and shining.
And every time always
It's a feeling of up
And heat
And gasping
And grasping
For something I already have
But want to hold
So I can write down
Happiness.

You Might Also Enjoy
Subway Station: a true story
Variations on Cinderella
Dusk and Chill

Friday, May 25, 2012

Playing Pretend

I like the bones of this poem. I think if I come back to it in a year for a good edit, it might polish up nicely.

Pretend
Maxwell Mulligan Morgan McRae
Woke up silly on Saturday.
He curled in his covers and squirmed in his sheets.
He wrapped his fingers around his feets.
He pulled his knees right up to his nose,
Saying, "I'm a ball with wiggly toes!"

Maxwell rolled right out of bed,
Landing - Gack! - upon his head.
He rolled to the right and bumped his shin.
He rolled to the left and bashed his chin.
"Well," he shrugged, "that's how it goes
"When you're a ball with wiggly toes."

Maxwell Mulligan Morgan Ball
Rolled himself into the hall.
"I smell breakfast!" he announced,
And rolling to the stairs he bounced
On one step, two steps, three, five nine,
And croaked quite loudly, "I am fine!"

"Max!" yelled his Mom, "What's all that noise?
"You're loud enough for fifty boys!"
Max said, "I'm not a boy at all!
"I'm a rolly, bouncy ball!
"A ball with a breakfast-tracking nose!
"A hungry ball with wiggly toes!"

Mom frowned and sighed and tapped her toe.
"I don't have food for balls, you know.
"Balls don't get breakfast. They eat air.
"Besides, you can't reach Maxwell's chair."
And though Max bounced with all his might
To reach the chair, his mom was right.

Max the ball felt his shoulders slump.
He rolled outside to the bicycle pump.
It didn't taste so good somehow,
But - "SPIT THAT NOZZLE OUT RIGHT NOW!
"Maxwell Mulligan Morgan McRae,
"Can't you pretend you know how to behave?"

Maxwell stood. "Of course I can."
He went inside and washed his hands.
He sat in silence while he ate,
Said, thanks, and put away his plate.
'Well,' thought Max, 'I guess that's that.
'Next I'll pretend I'm an acrobat!'

Friday, April 20, 2012

Harry Potter-Hotel California Parody

Inspired by a CBC book-song mash-up contest from a year ago, rediscovered yesterday, finished today.

Harry Potter meets Hotel California
Dark night in September.
Scar under my hair.
Long howl of a werewolf
Rising up through the air.
Up ahead in the distance
I saw a shimmering light.
My heartbeat quickened and my eyes grew wide—
I loved that castle on sight!

There she stood in the doorway.
"First years!" I heard her yell,
And I was thinking to myself,
Is this Hogwarts or is it Hell?
Then she lit up a candle
And she showed us the way.
There were statues in the corridor;
I thought I heard them say,

"Welcome to seven years at Hogwarts.
Such a magic place.
Such a tragic face.
Plenty to do in your seven years at Hogwarts:
See a dragon born.
Find a unicorn."

His mind is Slytherin-twisted.
When he speaks he offends.
He's got a couple brawny bodyguards
That he calls friends.
When they strut through the courtyard,
See Neville sweat.
They'll steal his remembrall
Just to make him forget!

So I'm called by the captain,
"Please bring me the snitch!
We haven't had a quidditch victory since 1996."
And still that voice is a-calling inside my head:
"What to do, oh what to do with you?
Griffindor!" he said.

Welcome to seven years at Hogwarts.
Such a magic place.
Such a tragic face.
Never give up in your seven years at Hogwarts.
Learn an airborne sport.
Battle Voldemort.

Candles on the ceiling,
The pumpkin juice on ice,
And I said, "We are all just sitting ducks here.
I've got to set things to rights."
In the underground chambers
I finally faced him alone.
He can find the Mirror of Erised,
But he just can't get the stone!

Last thing I remember, I was
Running for the door.
I had to find the passage back
To Headmaster Dumbledore.
"Relax," said the matron.
"Your friends will all be relieved."
They can send me back to Privet Drive
But I'll never really leave!

You Might Also Enjoy:
One Life: Parody of The Barenaked Ladies' "To Weeks"

I had Six Cupcakes for Dinner


Amos Obadiah: Tale of a Cranky, Old Dragon and a Hero

Friday, March 30, 2012

On the Danforth, poetry, parties and cupcakes

Last night my classmates and I from the Book and Magazine Publishing program celebrated the completion of the program and of the print issues of On the Danforth magazine with a fantastic wrap party. There were cupcakes and drinks and raffle prizes that some people had been coveting for weeks. It was a huge tragedy when no one from our class won the Hunger Games prize pack.


As sad as it was to be having our final night together, we spent just about the whole party laughing. And also feeding my friend Sarah cupcakes. She kept bouncing up and down and saying, "I had six cupcakes for dinner!" And so I took the obvious course of action: I wrote a poem.

I had six cupcakes for dinner—
And I think it makes me a winner. 
There's frosting and sprinkles all over the place,
And one great, big smile on the front of my face,
And I think each kid in the whole human race

Friday, March 16, 2012

Poetry and a rhythm lesson

An impatient poem this week turned into a rhythm lesson. I imagined my Mom's grade two students chanting it in quarter, half, eighth and whole notes and ultimately overlapping the different rhythms with each other.

Pencil crayons aren't my usual choice, but they're portable and I wanted to get back in the habit of drawing.

Waiting




Tap-toe. Tap-toe.
Too slow. Let's go.
[quarter notes]






Tap-toe. Tap-toe.
Tap-toe. Tap-toe.





Tick...Tock...
Slow... Clock...
[half notes]






Tap-toe. Tap-toe.
Tick... Tock...



Twiddle thumbs and fidget bums and Wriggle, wriggle squirm.
[eighth notes]

Tap-toe. Tap-toe.
Tick... Tock...
Twiddle, fidget, wriggle, squirm.
Twiddle, fidget, wriggle, squirm.







                      Heave...       A...
                     Siiiiiiiiiiiiiiiiiigh.
                       [whole note]

Tap-toe. Tap-toe.
Tick... Tock...
Twiddle, fidget, wriggle, squirm.
Siiiiiiiiiiiiiiiiiiigh.

HERE WE GO!
You Might Also Enjoy:

Poems from my Past: "My Friends" and "The Present"

At Home the Wind Lives Up a Tree

Amos Obadaiah: tale of a grumpy, old dragon and a hero

Friday, February 3, 2012

A Tale of Paradiddle Puddles

I would like to thank Immenado and my mother for messaging me with story ideas for Paradiddle. Even if my mother's did sound suspiciously familiar—I think my Gran would recognize them.

It seems Paradiddle is a very busy little goat, so I was only able to fit one adventure in this week. I wouldn't want to have the poor kid get into five different scrapes at once, anyway.

Paradiddle Puddles and the Bridge

I know a gleeful, little goat called Paradiddle Puddles:
A leaper and a laugher and a getter-into-muddles.
Paradiddle's sister got to go to school each day,
But little Paradiddle only got to walk part-way.
"Don't cross the bridge," his mother said. "It's straight back home you trot!"
And every day he wondered to himself, "Why not? Why not?"

On Monday Paradiddle walked his sister to the bridge.
On Tuesday, though, he touched it—just a tiny, little smidge.
Wednesday he tap-tapped it and he giggled at the sound.
Thursday he put two hoofs on before he turned around.
Friday came. Paradiddle watched his sister go.
He wondered, "What will happen?" and he nudged it with a toe.

Paradiddle looked to left and right. Nobody there.
He took a step. Another. "What will happen if I dare?"
"What will happen?" One more step.
"What will happen?" Just one more—
And Paradiddle raced across to reach the other shore.
Nothing happened. Disappointed, Paradiddle turned around—
And what happened was his mother at the window, glaring down.

You Might Also Enjoy:

Very Nearly but Not

 Lady Megan Met a Dragon


Amos Obadaiah: tale of a grumpy, old dragon and a hero

Friday, January 13, 2012

Call me

from The Unpublished Writings of the Wicked, Wicked Witch

Call me ugly. Call me old.
Call me heartless. Call me cold.
Call me wicked, evil, mean.
Call me pallid, warty, green.
Call me what what you want, guys. Only - 
Call me sometime? Please... I'm lonely.

You Might Also Like:




Creative Commons License
Call me by Erin Woods is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.

Friday, January 6, 2012

A poem for someone special

Lady Megan met a dragon on a summer's day.
Said the dragon, "Lady Megan, won't you run away?"
Lady Megan to the dragon said, "I don't intend to."
The dragon said, "But Megan, you have no man to defend you!"

Lady Megan said, "O dragon, I need no defender."
Lady Megan said, "And dragon, don't insult my gender!
"Dragon!" Megan said, "it will be YOU who flies away,
"And never more will we two meet upon a summer's day."

"Haughty Megan!" roared the dragon, "see my shining claws!
"Foolish Megan! I am dragon! Fear my mighty jaws!
"Megan," dragon said, "my strength will break you clean in half!"
"Dragon, dragon," Megan smiled - and she began to laugh.

Lady Megan laughed. The dragon growled, "I am no joke!"
Lady Megan laughed. The dragon's breath began to smoke.
Lady Megan laughed. The dragon shuddered at the sound.
Lady Megan laughed. The dragon, anxious, glanced around.

Megan laughed. The dragon snapped, "Don't! Don't you laugh at me!"
Megan laughed. The dragon shrank away and turned to flee.
"Vain, vain dragon," muttered Megan as he winged away,
And never more did they two meet upon a summer's day.

Friday, December 30, 2011

Anti-Pastoral

Because as much as I love pleasant pastoral children's poetry, it just isn't getting any more relevant these days. So it's into the city we go.

The Skyscraper Dance
Always at Midnight the Scry-Skipper Ants
Go marching in pairs to the Skyscraper Dance.
It's up on the south side and down on the north,
Railings and rooftops and back-and-a-forth.
Then it's the Leap Time when all the ants flit
Across the dark windows and jump all the lit.
And lastly in pairs all the Scry-Skipper ants
Go soft-footing home from the Sky-Scraper Dance.
 
December Morning
In the dark December 6 AM I lay inside my little bed
With happy, cozy little dreams all snug inside my little head.
And all the sleepy nighttime snow had drifted dreamy where it lay...
For all the morning snowplows to scrape screechily away.

You Might Also Like:

At Home the Wind Lives Up a Tree

Poems from my Past: "My Friends" and "The Present"

Subway Station: a more serious poem

Friday, December 23, 2011

Very Nearly But Not

I almost forgot — very nearly, but not —

To update my weblog today.

But wait ‘til you hear all the reasons I’ve got

For this uncharacteristic delay:



It’s not that I lingered on Mulberry Street.

It’s not that I chased any rabbits.

No wardrobes, no Wild Things, no, only some feet

With some very particular habits.



My feet, you see, walked me to Somewhere today

And I met No-One Else on the road.

Then a Suddenly Witch showed up sudden to say

I (and No-One Else) would be a toad.



And toad then I was, from my head to my toes,

Excepting my nose and one ear,

And I hoppled to where the old wither-wind blows

Seeking help, and a hope, and a mirror.



The wither-wind blew me to Twiddicum Lake

Where the Swaddely Sparrows still sing,

And they cured me with gumdrops and spinach and cake

And three leaps through a magical ring.



The last leap I leapt took me straight down a hill

Into Danger-From-Kitten-ly Land

Where I barely escaped with my heart—and I still

Bear the mark of small claws on my hand.



And oh, from the frying pan into the wok!

The Puppy-Dog-Doomlands were next.

The eyes — those big eyes! But I made myself walk

On away — and the puppies were vexed.



I came to a mountain. And what could I do?

I couldn’t go over — too big.

I couldn’t go round it. I couldn’t go through.

The only think left was to dig.



I dug and I dug with an old, tarnished spoon

Til my hole was as big as the sky

Then I stumbled and fell past the stars and the moon

And I landed inside of a pie.



The pie was large one; a giant child made it

Of mud and of ants and of me,

But I got myself out before anyone ate it

And looked for a way to get free.



The giants lived snugly inside a town hall

That was hemmed in by bogland and trees

Plus a river of lava and also a wall

Manned by Barziban-Snarziban bees.



I only got out without being detected

By creeping barefoot through the bog.

And that’s why I ever-so-nearly neglected

Friday, December 9, 2011

Exams are over!

To celebrate the relative freedom my first post-exam weekend, I will be taking a brief holiday from responsibility. If you find yourself trying to reach me tomorrow morning, I apologize in advance for any difficulties you may encounter.

I WON'T!
I say I won't—I won't, I said—
Today I won't get out of bed!

So what if the birds are singing?
So what if my friends are calling?
So what if the phone is ringing?
So what if the sky is falling?

So what if I'm a lazy-head?
Today I won't get out of bed!

I don't feel like cleaning or working.
I will not be touching a school book.
I don't care if you say I'm shirking.
For once let's just throw out the rule book!

Let me have my rest intsead.
Today I won't get out of bed.

So hush! Don't you wake me! I'm sleeping today.
Don't poke me, don't shake me, just PLEASE go away!
I'm standing firm on what I've said:
Today I won't get out of bed!

You Might Also Like:

I had Six Cupcakes for Dinner

In the Sunshine Land


Dusk and Chill

Creative Commons License
I WON'T! by Erin Woods is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.

Friday, November 18, 2011

Rhyme for a Generation

Buttons
I can press the button that will make my race car go,
And I can work the TV buttons, watch my favourite show.
I can use a keyboard or controller or remote,
But I need Daddy's help to do the buttons on my coat.

You Might Also Like:

At Home the Wind Lives Up a Tree

Poems from my Past: "My Friends" and "The Present"

Amos Obadaiah: tale of a grumpy, old dragon and a hero

Friday, November 11, 2011

The Story Man

The Story Man comes to our town once a year
Wearing patches and rags and an old Midnight cloak
And the summer-day children come running to hear
All his silver-strung stories of gold-fingered folk.

There's rainbow's-end treasure and magic in kettles,
Birds of the air raining finery down,
Jewel-crusted grots dripping bright precious metals,
Nuts that spill diamonds and star-shining gowns.

The Story Man's seen it and touched it and known it;
He's heard the harp sing and he's sat by the well.
He skimmed up the beanstalk when Jack had just grown it;
He's stood at the place where the shooting star fell.

He's wandered barefoot through the great Cave of Wonder,
Filling his pockets with nothing but words;
He's founds dens of dragons where tales were his plunder;
He has swapped gossip with Ashputtle's birds.

But still he comes back to our town every year,
Telling stories for pennies and darning his cloak
While the summer-day children swarm round him to hear
All the glittering tales of the gold-fingered folk.

You Might Also Like:


I Went to the Mountain

In the Sunshine Land

Dusk and Chill

Creative Commons License
The Story Man by Erin Woods is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.

Friday, November 4, 2011

In the Sunshine Land

In the Sunshine Land

Oh, for the days in the sunshine land
When you sleep-a-bye softly
And wake-a-bye bright,
When the right winds blow through the buttercup rows
And the golden is spilling from grasses and sky.

There is the elven-nook under the willow.
There is the swell of the fairy-top hill.
Still now and hush in the dew-glimmered breathing,
Sweep now and rush in the wind-dancing wave.
All now is ours—every my all together—
Sing it out sweetly with robins and green.

Then in the moon-glow with crickets and dreamers,
Figures are dancing on hush-secret lawns
Onto the toadstool-tops leap-and-a-laughing,
Onto the skitta-skate star-specked stream,
Up to the top of the sky-scratching pine tree,
Drowsily down to the dew-dawning day.

Now it's Oh! for the giggle-built forts in the forest,
Hey and a ho for the hideaway haunts,
Oh! for the summer-clad play-pretend playmates
Slipping away all the pearl-strung days.

When they pull the shade on the sunshine land,
And all the elves are fairly gone,
Then the dark is on the rows of figures
And toadstools are mushrooms after all.
And yet—and yet—oh, never forget,
Amid all the dull and the drone and the dim,
To dream with the crickets and sing in the silence,
To wish in the whispering, hope in the night,
To wait for the glimmer in star-speckled skies,
To watch for the glitter in sun-sparkled eyes.

You Might Also Like:

The Story Man

Variations on Cinderella

A Tale of Paradiddle Puddles

Creative Commons License
In the Sunshine Land by Erin Woods is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.

Friday, October 21, 2011

Amos Obadaiah

When I was a camp counsellor, I loved to spin stories about my supposed adventures to entertain my campers. One of my favourite characters in these adventures was Amos Obadaiah, a singularly grumpy old dragon. He's shown his face a few times in stories I've written since, but this is the first time he's managed to get his very own poem. I'm sure he is not grateful in the least.

Amos Obadaiah
Amos Obadaiah is a sort of friend of mine,
But of course I'd never say that to his face.
He'd rather not be friendly. He'd rather not be kind.
In fact, I'm sure he'd think it a disgrace.

Amos Obadaiah is a grimmy sort of grouch.
He's a griper and a grumbler and a grump.
He's a gristle-ated grizzum with a surly sort of slouch;
He's a fire-breathing pain in the rump.

"I'm a dragon!" rumbled Amos Obadaiah when I asked.
"I'll be fearsome as I want in my own den!
People think that they can tame us, slay us—Ha! Now there's a task!"
Then he laughed so long I never asked again.

Amos Obadaiah met a hero by and by:
Handsome face and glimsome sword and gleamsome smile.
And I guess that he was brave to look a dragon in the eye,
And to call him "lizard", "beast" and "crocodile".

Amos Obadaiah glared and glowered, growled and gruffed,
And observed, "His clothes won't be much fun to eat."
Then he breathed a little flame and very gently huffed and puffed,
And he burned the pants right off that hero's seat.

"Aie!" exclaimed the hero while his cheeks were growing red.
"You've burnt my favourite pants, you dragon, you!
They even matched my sweater!" "That's too bad," the dragon said,
And he very calmly burned the sweater, too.

The hero shrieked and shuddered and he muttered it was chilly
As he skitter-scatter-scrambled to the door,
And he ran off with no clothes on, looking absolutely silly
And his grin was not so gleamsome anymore.

"Nice!" I yelled, but Amos Obadaiah turned and glared
So fierce-ishly I swallowed up my shout.
"Um, good job," I told him, speaking just as loudly as I dared.
Then he ordered me to sweep the ashes out.

You Might Also Enjoy:

Variations on Cinderella

Lady Megan Met a Dragon

Mary Speaks: the true story of the little lamb

Creative Commons License
Amos Obadaiah by Erin Woods is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.

Friday, October 14, 2011

I recently figured out how to get eBooks onto my iPad, and went straight to Project Gutenberg to get some subway reading material. I got really excited when I found Sir Gawain and the Green Knight. I was very pleased with myself when I added John Keats' Endymion. I was downright smug when I clicked "download" for the Confessions of Saint Augustine of Hippo.

And then I found the children's section.

I have excellent intentions when it comes to literature, and sometimes they carry me through quite impressive reading lists. And the rest of the time I succumb to an incurable - and inexplicable - passion for nineteenth-century children's literature. I know it's outmoded. I know it's contrived. I know it glosses blithely over a hundred social issues of the age. But oh, it's escapism at is very best, and I just can't resist it.

So I have had my head full of children's verse again this week, and since my efforts in that area were so well-received last time, I decided to revive my old plan of writing a whole series of 21st-century chidlren's poems. This time I mined my own past for ideas, so I hope my family will forgive me for the licence I've taken with some particular memories.

My Friends

I have a thousand little friends
No bigger than my thumb.
They fly with magic mittens on
And when I call, they come.

I call them with my fingertips;
A wiggle means "come play!"
I clap means "let me talk to you."
A wave means "fly away."

I know a lot of them by name:
There's little Emily
(Whose mittens are too big for her),
And also Sally B.,

And Mark, who wins the flying races,
Old Marie, and Joe,
And - well, a lot more than you'd think
A kid like me could know.

My friends are all invisible
Unless I say "appear,"
So grown-ups never see them
Even though they're always near.

We play a lot of Hide-and-Seek,
And Tag, and Count-to-Ten,
And then we rescue Emily,
Who's lost her mitts again.

The other kids need games or toys,
Computers, or TV.
But I have fingers full of friends
And that's enough for me.

Creative Commons License
"My Friends" by Erin Woods is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.

The Present
My sister had a birthday
With some presents just for her,
And all day long we guessed and guessed
At what we thought they were.

"The big one's a computer!" and
"The little one's a doll!"
I thought one was a puppy,
But that wasn't right at all.

'Cause later when the cake was done
And everyone was full,
She opened up that box and said,
"Oh, it's adorable!"

Then Mommy smiled and Grandma laughed
And so did Grandpa Drew.
I hope I get a Dorable
For my next birthday, too!

Creative Commons License
"The Present" by Erin Woods is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.

You Might Also Enjoy:

Waiting: a poem for impatient people

At Home the Wind Lives Up a Tree

 I had Six Cupcakes for Dinner!

Friday, September 23, 2011

Subway nursery rhymes

I love poetry written for children. The good stuff, I mean. Plot-less picture books with trite rhymes and bad meter give the genre a bad name. Growing up I spent hours memorizing poems by Ogden Nash, James Whitcomb Riley, Robert Louis Stevenson, Lewis Carroll... good poetry. And I got thinking recently... since the deaths of Dr. Seuss and Shel Silverstein, who writes good children's poetry these days? Who writes nursery rhymes?

I'm a big believer in nursery rhymes. They give small children an ear for language. But the canon is so old now, and fewer and fewer kids are growing up with Mother Goose. So I thought, why not try to write some 21st-Century nursery rhymes? My results were mixed. But I come back to the idea every so often, and I came back to it again this week while waiting on a subway platform, thinking about the impressions of a country girl in the city. The musings and the result were both coloured by Stevenson's poems:

At home the wind lives up a tree
And twirls it all about to see
The other trees all clap their hands
And ask if they can join the dance.

But here the wind lives underground;
It chases all the trains around.
The trains, I guess, don't want to play -
They screech and scream and run away.

Creative Commons License
At home the wind lives up a tree by Erin Woods is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.

Friday, September 16, 2011

Variations on Cinderella


Last year I started a collection of adaptations of fairy tales. Some are poems, some are stories, and some, strangely enough, are epitaphs. All, however, are looking at the story through the perspective of some character whose voice is overlooked in the original telling. My favourite exploration was a poem I called "Six White Horses" that draws on the Cinderella story. I'm including it in this post because the poem I wrote this week is also a Cinderella adaptation, and making connections is fun.

After four years as an English major, I cannot help mentioning that both of these poems are dramatic monologues, which became my favourite kind of poem in the last two years of my undergrad. I won't bore you with the details, but if you're interested check out Tennyson and Browning. Especially Tennyson's "Ulysses".

I like this week's poem, which means I will revise it heavily at some point. For now, though, I am publishing this version and "Six White Horses" with a Creative Commons licence each. These licences state that anyone can use these poems and adapt them however they want, as long as they give me credit ("attribution") and license their own work through the Creative Commons instead of copyright ("share alike").

Can you tell that my program this year includes a copyright course? It seems whenever a class interests me, I can't help re-teaching what I'm taught. But enough of this.

The poems:

Six White Horses
It weren’t so bad to be a mouse;
The life was small, but so were we.
Our highest cares were crumbs and tea
(Which ain’t too scarce in a manor house).

A fine life! Nibble, nuzzle, be
Just nimble enough to ‘scape the broom,
Just glad enough to ‘scape the gloom,
Just free enough to know ye’r free.

And sure, a humble life. Why not?
When “ostentation” meant ye wore
Yer whiskers curled, or oiled yer fur,
Or weren’t well-pleased with what ye’d got.

Aye, what we’d got weren’t much, it’s true.
Ye’d call us poor – but poor’s no vice,
And poverty’s enough for mice;
It does us, or we make it do.

And all we asked was room to creep,
A bite of food, a bit of drink,
Quick feet to flee, bright eyes to blink,
A common nest, and dreamless sleep.

Imagine, then, how t’was for us
(Who’d scarce imagined once before),
Sent skittering across the floor,
In a squealing, stumbling, tumbling fuss

Of paws and claws and hoof and hair,
And straightening up to unheard-of height,
And seein’ ourselves in each other: white
And tall and proud, and Lord, I swear

The seein’ weren’t the marvel. No,
‘Twas the feelin’. The feelin’! The wind! The heat
Of our breath and our legs as we beat, we beat
The road, and the cry was “Go! And go!”

Then the race in the dark on the stroke of the hour –
It was breathless and boundless and freedom and flight –
What were mice? We were gods! And we breathed in the night
And the rush of the air, of the pulse, of the power.

And then – and then – mere mice again,
But mice aware of grander things,
We scuttled home with folded wings
And glowing eyes. And glory! when

The others heard our tale, we knew
They’d knot their tails for envy. Why,
If once we only closed an eye
We’d see that wondrous chase anew.

It weren’t so bad to be a mouse.
The life was small, but so were we.
What made you show us liberty
Too wide for the walls of the manor house?

You dressed a cinder-girl in white;
You granted us fleet glory. Why?
We never asked to stand so high.
We never wished to dream of flight.

Creative Commons License
Six White Horses by Erin Woods is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.


Evergreen
Our sister was a feeble hazel twig,
While I was grim and grand and evergreen.
When all her springtime colours faded, fell,
And left her ragged, I was clad in green.
In green. In green. And while her bare, white arms
Reached up in suppliance, I busied mine
Amid my sweeping skirts. She shivered in
The winter wind, of course: slim and shining,
Pitied. Piteous. I, the fortunate,
Looked on in brooding splendour: lucky
Evergreen with all my shadows gathered close.

And oh, that gnawing in the pit of my
Full stomach, looking at her, frail and free.
Hate her? No. I know what hate is. Hate
Is what they gave me when they saw me green
And grand. You too, you know. They hated us–
Well-fed, well-dressed. But she was empty. She
Had room enough for love.

                                             And now, my dear?
Now we two are grotesque, forgotten, drained
Of blood and pitch and clout and consequence,
While she will kiss the sun and taste new spring.
I laugh to think her full and splendid. Oh,
How little she can know what fullness means!
Yes, all the hungry ones will hate her now,
And I need never see again in green.
                                                                               

Creative Commons License
Evergreen by Erin Woods is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.

One more thing: if you happen to have thoughts or feedback, do share! I'm no less insecure about my poems than your average writer, but I do crave criticism about as much as I fear it.