Being a record of the creative outbursts of one Erin Woods: poet, dreamer, and initiate of children's publishing.

Friday, September 30, 2011

A Different Subway Poem

Subway Station

He stands in line
With the Friday night young and reckless,
Shifting foot-to-foot and foot-to-foot
Until the streetcar comes to swallow up the crowd
And he is left,
Too old and tough and gristly for a meal.
Moving slowly, shuffle-step,
He mingles with another crowd,
Another line,
Another eyeblink moment of forgotten.

Foot-to-foot and shuffle-step,
Down escalator, up,
He traces his one pattern,
Different partners every time.
When we grow so old we don't remember how to walk,
We dance.

Hunched over concrete floors he inches
Shuffle-step and shuffle-step,
Focused.
As if he must test every concrete tile to take his weight.
As if, should be be careless,
The very stones would cry,
"No loitering".

Creative Commons License
Subway Station by Erin Woods is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.

Tuesday, September 27, 2011

Quilts!

I love making quilts.

Love.

 Love.

Love.





Love.


Love.

So how did I forget to show you my finished knit-and-woven experiment quilt weeks ago? I don't know. But here it is:


I expected to have problems with the different stretching abilities of the two kinds of fabric (the colourful pieces are from my Dad's old cotton dress shirts and the black squares are from knit T-shirts), but I found them surprisingly forgiving. It probably helped that I sewed the seams on my serger instead of my regular (sadly broken) sewing machine.

(For the uninitiated, a serger is a fancy sewing machine that uses four spools of thread and makes the stretchable kind of stitching you'll see on the seams of your T-shirts.)


I did have trouble with the binding refusing to lie flat, but I think that was from my own imperfect cutting and not from the fabric.

So what did we learn from this project? That rules, like "don't mix knit and woven fabric," are made to be broken - in the name of creativity and thrift.

Friday, September 23, 2011

Subway nursery rhymes

I love poetry written for children. The good stuff, I mean. Plot-less picture books with trite rhymes and bad meter give the genre a bad name. Growing up I spent hours memorizing poems by Ogden Nash, James Whitcomb Riley, Robert Louis Stevenson, Lewis Carroll... good poetry. And I got thinking recently... since the deaths of Dr. Seuss and Shel Silverstein, who writes good children's poetry these days? Who writes nursery rhymes?

I'm a big believer in nursery rhymes. They give small children an ear for language. But the canon is so old now, and fewer and fewer kids are growing up with Mother Goose. So I thought, why not try to write some 21st-Century nursery rhymes? My results were mixed. But I come back to the idea every so often, and I came back to it again this week while waiting on a subway platform, thinking about the impressions of a country girl in the city. The musings and the result were both coloured by Stevenson's poems:

At home the wind lives up a tree
And twirls it all about to see
The other trees all clap their hands
And ask if they can join the dance.

But here the wind lives underground;
It chases all the trains around.
The trains, I guess, don't want to play -
They screech and scream and run away.

Creative Commons License
At home the wind lives up a tree by Erin Woods is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.

Sunday, September 18, 2011

Donna Parker Dress

Ever since I was a tender, young bookworm of ten or so, I have wanted a dress like Donna Parker's in Mystery at Arawak. So when fifties-style dresses started becoming fashionable again, I got excited. Of course, since I committed myself more than a year ago to never buying clothing new (for ethical and environmental reasons), all I could really do was watch the racks and sigh, and hope a dress in my size showed up in a thrift store. Then the McCalls pattern company emailed me: would I like to buy a vintage 1950s dress pattern for only $3.00?

Would I!

When the pattern came in the mail, I was ecstatic. I showed it to my Mom the next time I saw her.
"I think Gran has that same pattern somewhere," she remarked.

It took me a long time to get down to the business of sewing the dress, and when I did I had to alter the pattern (I hate sewing from patterns!)... and then the lining didn't fit... and then my sewing machine broke... but I was determined the dress should be wearable for fall, so last night I was up with my needle and thread until one o'clock. And here it is! It's kind of a big deal for me, so I had some fun with the photography.

















I'm loving this! How often do we get to see our childhood dreams come true?

Friday, September 16, 2011

Variations on Cinderella


Last year I started a collection of adaptations of fairy tales. Some are poems, some are stories, and some, strangely enough, are epitaphs. All, however, are looking at the story through the perspective of some character whose voice is overlooked in the original telling. My favourite exploration was a poem I called "Six White Horses" that draws on the Cinderella story. I'm including it in this post because the poem I wrote this week is also a Cinderella adaptation, and making connections is fun.

After four years as an English major, I cannot help mentioning that both of these poems are dramatic monologues, which became my favourite kind of poem in the last two years of my undergrad. I won't bore you with the details, but if you're interested check out Tennyson and Browning. Especially Tennyson's "Ulysses".

I like this week's poem, which means I will revise it heavily at some point. For now, though, I am publishing this version and "Six White Horses" with a Creative Commons licence each. These licences state that anyone can use these poems and adapt them however they want, as long as they give me credit ("attribution") and license their own work through the Creative Commons instead of copyright ("share alike").

Can you tell that my program this year includes a copyright course? It seems whenever a class interests me, I can't help re-teaching what I'm taught. But enough of this.

The poems:

Six White Horses
It weren’t so bad to be a mouse;
The life was small, but so were we.
Our highest cares were crumbs and tea
(Which ain’t too scarce in a manor house).

A fine life! Nibble, nuzzle, be
Just nimble enough to ‘scape the broom,
Just glad enough to ‘scape the gloom,
Just free enough to know ye’r free.

And sure, a humble life. Why not?
When “ostentation” meant ye wore
Yer whiskers curled, or oiled yer fur,
Or weren’t well-pleased with what ye’d got.

Aye, what we’d got weren’t much, it’s true.
Ye’d call us poor – but poor’s no vice,
And poverty’s enough for mice;
It does us, or we make it do.

And all we asked was room to creep,
A bite of food, a bit of drink,
Quick feet to flee, bright eyes to blink,
A common nest, and dreamless sleep.

Imagine, then, how t’was for us
(Who’d scarce imagined once before),
Sent skittering across the floor,
In a squealing, stumbling, tumbling fuss

Of paws and claws and hoof and hair,
And straightening up to unheard-of height,
And seein’ ourselves in each other: white
And tall and proud, and Lord, I swear

The seein’ weren’t the marvel. No,
‘Twas the feelin’. The feelin’! The wind! The heat
Of our breath and our legs as we beat, we beat
The road, and the cry was “Go! And go!”

Then the race in the dark on the stroke of the hour –
It was breathless and boundless and freedom and flight –
What were mice? We were gods! And we breathed in the night
And the rush of the air, of the pulse, of the power.

And then – and then – mere mice again,
But mice aware of grander things,
We scuttled home with folded wings
And glowing eyes. And glory! when

The others heard our tale, we knew
They’d knot their tails for envy. Why,
If once we only closed an eye
We’d see that wondrous chase anew.

It weren’t so bad to be a mouse.
The life was small, but so were we.
What made you show us liberty
Too wide for the walls of the manor house?

You dressed a cinder-girl in white;
You granted us fleet glory. Why?
We never asked to stand so high.
We never wished to dream of flight.

Creative Commons License
Six White Horses by Erin Woods is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.


Evergreen
Our sister was a feeble hazel twig,
While I was grim and grand and evergreen.
When all her springtime colours faded, fell,
And left her ragged, I was clad in green.
In green. In green. And while her bare, white arms
Reached up in suppliance, I busied mine
Amid my sweeping skirts. She shivered in
The winter wind, of course: slim and shining,
Pitied. Piteous. I, the fortunate,
Looked on in brooding splendour: lucky
Evergreen with all my shadows gathered close.

And oh, that gnawing in the pit of my
Full stomach, looking at her, frail and free.
Hate her? No. I know what hate is. Hate
Is what they gave me when they saw me green
And grand. You too, you know. They hated us–
Well-fed, well-dressed. But she was empty. She
Had room enough for love.

                                             And now, my dear?
Now we two are grotesque, forgotten, drained
Of blood and pitch and clout and consequence,
While she will kiss the sun and taste new spring.
I laugh to think her full and splendid. Oh,
How little she can know what fullness means!
Yes, all the hungry ones will hate her now,
And I need never see again in green.
                                                                               

Creative Commons License
Evergreen by Erin Woods is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.

One more thing: if you happen to have thoughts or feedback, do share! I'm no less insecure about my poems than your average writer, but I do crave criticism about as much as I fear it.


Wednesday, September 14, 2011

I think tonight may have changed my life.

It's not that I wasn't heading in this direction before. I've spent almost half my life hovering eagerly at the edges of activist groups and artist communities. I've done boycotting and lobbying and fund-raising in my own small ways, and I've certainly done my share of passionate writing. But tonight crystalized something for me that was hazy before: I am not really at the edge of that community I've been so hungry for. I'm there. I am a student and worker in the publishing industry. I write. I blog. I'm a conscious consumer. I create things. And I believe in all of it.

Tonight I attended a free lecture given by Cory Doctorow at the Art Gallery of Ontario. The subject was copyright. It's something that's relevant to my program, but hardly engrossing - you would think.

And you would be wrong.

The topic of copyright law - of controlling who can do what with whose intellectual property - is a major issue in our society right now. I am not a betting person, but I will bet that you (yes, you!) have talked about it lately. Have you argued about downloading music recently? Asked around for the best free (read: pirated) version of a program on the internet? Made pessimistic remarks about the future of print media? That's copyright.

Why am I bringing this up here? I can hear you thinking, "Hey, Erin! You promised us crafts, not essays! We indulged your little poetry whim, but this?"

Ah, but this. This is important to you, too, dear reader. You are reading a blog - my words and images, my intellectual property - hosted on a platform that controls none of its content, delivered to you instantly, free of charge. By most publishing standards, that's practically subversive. It's certainly risky; how will I protect my work? What if someone appropriates last week's exquisite limerick and uses it as his own? Without the heft and legal team of a major publisher behind me, how can I sue him for millions of dollars? Why would I ever expose my work on a platform that has no digital lock to prevent it from being copied???

Well, aside from the fact that such locks are no more than fun puzzles for hackers to solve, it's because I believe in art that is not controlled by major companies. And that is the unspoken heart of the copyright debate right now. Governments are allowing more and more controls on the platforms that let us view and listen to media. Some of these controls are locks that will shut our systems down if we copy a file we haven't paid for. Some spy on our digital activities. Many make it impossible for us to access the music, text or other media we paid for on another company's platform. The rhetoric says that these measures protect artists and make sure they get paid for their work. I certainly believe in that. But mainly these measures protect the interests of the companies that are quickly buying out every other means we have of accessing these works. And this doesn't only trap consumers into dealing exclusively with those companies; it traps the artists as well, because they can't reach their audience through anyone else. They have to take whatever terms the companies will give them.

Right now in Canada Bill C-32 is causing a lot of fuss. It proposes a change to the copyright act that would make it illegal for consumers to copy any music file they bought, even for reasons (like backing it up) that are actually legal (I'm not a lawyer and I haven't gotten very far in my copyright course, so please excuse my simplification of a complicated issue). The bill was already defeated once, but it is going to be re-introduced. This time around, the process will not include any public consultation.

I have no delusions that every one of you is going to jump up from your computer and start lobbying your local member of parliament about Bill C-32. I don't know about your downloading habits, or whether or not you buy a lot of books. But I am reasonably sure that every one of you is interested in independent forms of expression, and in hearing the voice of the little guy, and in the act of creation. If not, what are you doing on the small-time creativity blog of a poet-dreamer college student? So I'm going to ask you to think about this. That's not much to ask, right? Think, and be aware, and make your choices based on that awareness. Because scary things can happen if someone decides they can control a society's access to art and media.

If you're at all interested in copyright and the alternatives to our current system, check out the Creative Commons, a licensing system that lets creators share their work but keep the credit. If you want to listen to the podcast of tonight's Cory Doctorow talk, I'll post a link as soon as it's available.

Just think.

Tuesday, September 13, 2011

Our apartment has a gremlin living in it. It must. I've never seen it yet, but I know it must be a close relative to the sock-eating beastie who haunted my childhood home. We have no troubles with socks here (that I've noticed), but most our dish cloths have disappeared.

A few days ago, I was cleaning the kitchen and realized that I'd just put our two known dish cloths in the washing machine. I looked at the pile of dishes, looked at the sink, and went to fetch my crochet hooks. I figured I could sit in front of the TV with my sister for a while, whip up a dish cloth, and get the kitchen clean before night fell. And it went exactly as I planned.

Exactly.

 Really.

Okay, so I wasn't paying attention and I lost a stitch in every row. But I noticed the triangle effect before I got more than ten rows in. And I decided to keep it, which makes me deliberate, right? Or maybe it just makes me lazy. In any case, I turned it to my advantage:




Isosceles triangle + button =


Gremlin-proof dish cloth! Let's see him wrestle this one off the rack!

Friday, September 9, 2011

Poetry day

"A poem each Friday!" I said,
And I've tried, but I can't get ahead.
All week - so much work!
I don't want to shirk,
But all I can think of is bed.

Wednesday, September 7, 2011

Guest Post - Shoe Tutorial

Today I have someone special to share with you: Debbie Woods, also known as my Mom. She is the one who taught me to sew - and with my childhood attention span resembling that of a daydreaming butterfly, that was no mean feat. She also taught me by example that just about anything can be made or altered the way you want it, whether it's a home-made Little Mermaid backpack, a fancy graduation hairpiece, or custom furniture for a tiny student bedroom.

Mom has had an ongoing struggle with shoes. None of them seem to fit right. So she finally grabbed a pair of sharp scissors and a scrapbooking fastener kit and took matters into her own hands. Here she shares her tutorial in pictures so that you, too, can alter your shoes to fit.

Materials:

Cut tongue lengthwise.

Looking scary!

Punch holes.

Insert eyelets.

Secure eyelets with daisy tool.

View from back:

View from right side:

Attach remaining eyelets.

Insert laces.

Adjust laces.
Finished shoes:


I can alter basic clothing, but altering shoes? How cool is that?!!

Monday, September 5, 2011

Crocheted Wristlet

I've been wanting a wristlet for a while. September is a little late for it - they're more in demand when you're wearing a pocketless sundress than a fall jacket - but I got it in my head to crochet one anyway. It holds everything I might need when I want to leave the house lightly packed and won't weigh me down with the annoying bulk of a purse.






The body is just a rectangle of crochet folded over with the ends closed up and a zipper sewn in by hand. The strap is a length of my Ophelia lace with a button on one end that I wove in and out of a row of triple crochet.






The button-up strap is deliberate - if I'm wearing a belt, I can attach the pouch to that instead of my wrist, and so avoid any encumbrance at all. Oh, I do love not having to carry anything!

Saturday, September 3, 2011

A reminder

I had forgotten this photo. I found it when I uploaded some others today. I took it a few weeks ago to remind myself: every time I make up my mind to despise the city, it throws some piece of beauty to me.



I'm a stubborn person, there's no denying it... but I do love a rainbow.

Thursday, September 1, 2011

And now for something completely different

I would like to try something new. I know this blog is supposed to be for craftiness and creation, but I did say I was also a poet when I began this adventure (it sounds over-bold to claim the title, but I feel like being bold. I am not just someone who dabbles in verse. I have been published. I am a poet). So I have decided that every Friday I will post a poem.

I admit, I have an ulterior motive here. I actually haven't written any poetry since coming to the city. As a teenager I might have moaned and claimed I just couldn't write here and had to get back to the forest. And I do like blaming the city for all my ills. But I am almost 22 now, and must therefore be venerable and experienced and wise and responsible. So I said to myself, "Erin, you have had terrible discipline this summer. You must make yourself write!" I said it very severely and impressively and enunciated all of the consonants. And it worked! Here I am. Writing.

I don't promise very good poems every week, or any consistency in style. I enjoy blank verse, heroic couplets, nonsense and nursery rhymes, limericks and doggerel, rhyme of all kinds and sometimes even sonnets. And if I'm having trouble putting pen to paper, I'll go off and read some Tennyson and then come back and write something lyrical and melancholy and mysterious.

Like this one.

Forgive me for the melancholy, please. And for any poor poems I come out with this week or in the future. I can't judge my own work until it's seasoned for a long time, so these fledgling poems will just have to do the best they can. And thank you - you are helping me to be disciplined.

The poem...

Dusk and chill, and dusk and chill,
And on the moody visions run
To freer trees and wilder skies,
To nimbler dreams and wider eyes,
But dusk and chill, and dusk and chill,
And all the streets are one.
A million faces move, unmoved,
And heartbreak alone is still -
And dusk and chill, and dusk and chill,
And all the faces one.